Ain't It Time We Said Goodbye: The Rolling Stones on the by Robert Greenfield

By Robert Greenfield

For ten days in March 1971, the Rolling Stones traveled by way of teach and bus to play exhibits an evening in lots of of the small theaters and city halls the place their careers started. No behind the curtain passes. No safety. No sound assessments or rehearsals. And just one journalist allowed. That journalist now grants a full-length account of this landmark occasion, which marked the top of the 1st bankruptcy of the Stones' outstanding career.
Ain't It Time We acknowledged see you later can be the tale of 2 artists at the precipice of mega stardom, strength, and destruction. For Mick and Keith, and all those that traveled with them, the farewell travel of britain was once the tip of the innocence.
Based on Robert Greenfield's first-hand account and new interviews with a number of the key avid gamers, this can be a bright, exciting examine how it as soon as used to be for the Rolling Stones and their fans—and how it might by no means be back.

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Additional resources for Ain't It Time We Said Goodbye: The Rolling Stones on the Road to Exile

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In the background drums beat a wild rhythm. Joséphine began to dance. With every movement of her flexible body, the bananas swayed up and down, often looking as if, in the frenzy, they would fly away. The audience screamed, stomped, and catcalled. For the rest of her life, Joséphine was largely remembered for her dance in the banana skirt. To emphasize his star’s energetic personality, Derval needed a spectacular way to bring her onstage at the end of the show. He decided to place her in a huge egg-shaped iron cage that was painted gold and entwined with roses.

Some of her memories were inaccurate, such as her assertion that her parents were married (they were not). Other recollections were fanciful. In her dreams, kings walked with pointed shoes “and the queens were blond . . ” Perhaps the most startling revelation of the memoir was her attitude about performing onstage. She said, “I am tired of this artificial life, weary of being spurred on by the footlights. The work of a star disgusts me now. ” In commenting on the future, she predicted, I will marry an average man.

48 the many faces of josephine baker Joséphine believed such generosity was a prelude to commitment. She decided she wanted to have a baby with him and broached the subject of marriage, conveniently forgetting she was still wed to Willie Baker. Marcel squelched the idea. In blunt words, he told her that she was not his social equal and she was black—not marriage material for him. Devastated by his words, Joséphine lost her pep and energy. She became ill, and the doctor diagnosed bronchial pneumonia.

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