Affective Narratology. The Emotional Structure of Stories by Patrick Colm Hogan

By Patrick Colm Hogan

Stories have interaction our feelings. We’ve recognized this no less than because the days of Plato and Aristotle. What this booklet is helping us to appreciate now's how our personal feelings essentially manage and orient tales. In gentle of modern cognitive examine and huge analyzing in numerous narrative traditions, Patrick Colm Hogan argues that the constitution of news is a scientific made from human emotion platforms. studying the ways that incidents, occasions, episodes, plots, and genres are a functionality of emotional approaches, he demonstrates that emotion structures are completely the most important for realizing tales.

Hogan additionally makes a case for the doubtless vital position that tales play within the improvement of our emotional lives. He presents an in-depth account of the functionality of emotion inside story—in common genres with romantic, heroic, and sacrificial constructions, and extra restricted genres treating parent/child separation, sexual pursuit, criminal activity, and revenge—as those look in a number of cross-cultural traditions. through the booklet Hogan develops interpretations of works starting from Tolstoy’s Anna Karenina to African oral epics, from Sanskrit comedy to Shakespearean tragedy.

Integrating the most recent study in affective technological know-how with narratology, this publication offers a robust explanatory account of narrative association.

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Additional info for Affective Narratology. The Emotional Structure of Stories

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There is at least one other compressed, emotionally crucial moment as well—Stiva’s “silly smile” (3). Here, too, there must have been many occurrences surrounding the smile. But Stiva seems almost fixated on this one act, which he deeply regrets. In short, the temporal landscape here is uneven, and the unevenness is emotional. Some of the occurrences that constitute this sequence—itself forming a sort of whole or episode—are highly salient and consequential; others are downplayed. It is worth considering just what gives these particular moments their importance or, more precisely, what leads to this particular encoding of this sequence.

Indeed, Abhijñānaśākuntalam is in many ways a response to Vālmīki’s Rāmāyan․a, a text of central importance in the formation of Hindu gender ideology. In this context, the gender ideology of Abhijñānaśākuntalam may be recognized as at least complex and ambivalent, including elements that are quite strongly antipatriarchal. Having not previously isolated minor genres, in chapter 4 I include a broader range of reference than earlier chapters. The purpose of this is to suggest some of the historical and geographical scope of the genres.

She asks him, “What is this? ” (3). He responds with his smile. Her reaction follows. It is difficult to say how long this sequence took. There is a “torrent” of words that may have lasted ten seconds or ten minutes. Either way, the entire matter is reduced to the key emotional moments isolated above. ” Incidents, as I am using the term, are the focal points of emotional response, the minimal units of emotional temporality. Moreover, they seem to operate through something akin to lateral inhibition.

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